Randy Baker is a playwright, director and co-Artistic Director of Rorschach Theatre. Recent shows he has directed with Rorschach include Very Still and Hard to See (Five Helen Nominations including Best Director), The Electric Baby, She Kills Monsters, The Minotaur and After the Quake. Recent shows he has directed outside of Rorschach include the seven-room living installation piece, Hello, My Name Is… at The Welders, a shadow puppet gamelan-inspired A Midsummer Night’s Dream at WSC Avant Bard, Big Love at Catholic University, Anon/ymous at Georgetown University and his own adaptation of Rashōmon at American University. Recent playwriting projects include the world premieres of Forgotten Kingdoms and Truth & Beauty Bombs: A Softer World at Rorschach Theatre and workshops and educational productions of The Burning Road (Arena Stage), Monastery (Theater J), Rashōmon (American University and Spooky Action Theatre), Circus of Fallen Angels (NCDA and American University) and wild42hold (George Washington University).

Madeleine Regina is a director, actor, producer, and acting coach who primarily operates out of the Washington D.C. area. Madeleine works in many capacities at The Theatre Lab, including in their youth, adult, and Life Stories programs. Though she works on many different audio drama projects, Madeleine most notably is the co-producer of Feminist Fairytales, an audio drama that reimagines the genre of fairy tales through a feminist lens. As an actor, you will soon be able to see her perform in "How the Light Gets In" at 1st Stage (Kat). In addition, she is a Meisner Acting Coach with the Matthew Corozine Studio in New York, and a Master Teacher with ArtStream's Inclusive Theatre Companies. When not making art, you can usually find Madeleine buried in a book or cuddling her little dog Boba.