How to make the most of the music of America’s foremost theatrical composer. The ability to sing Sondheim’s fiendishly difficult music (and the music of many other composers who follow in his footsteps) is prerequisite for success in today’s musical theatre. Issues explored will include lyric interpretation, situational analysis, rhythm, phrasing, vocal production, and all aspects of singing and acting the Sondheim repertoire. For performers with musical theatre experience.
Broadway: Crazy for You. Off Broadway: Forever Plaid (original cast), Kander and Ebb’s The World Goes ‘Round, and the revival of George Gershwin’s Of Thee I Sing. National tours: Brigadoon, The World Goes ‘Round. Studio Theatre: A Class Act (Helen Hayes Award nomination), Caroline or Change, Reefer Madness, (Helen Hayes Award nomination); Ford’s: Elmer Gantry, 1776, A Christmas Carol; Round House: A Year with Frog and Toad (Helen Hayes Award nomination); MetroStage: Musical of Musicals (Helen Hayes Award nomination); The Kennedy Center: The Happy Prince, The Flea and the Professor; Signature: 20 shows including Titanic, Disney's Freaky Friday, La Cage aux Folles (Helen Hayes Award), and Spin (Helen Hayes Award). He is an artistic associate at Olney Theatre where he was nominated for Helen Hayes Awards in The Sound of Music and Annie. He has directed and choreographed across the nation and received the 2013, 2014, 2017 Helen Hayes Award.